Pojavljivanje mademoiselle Birkin u Keep Your Right Up podseća nas koliko par dobrih naramenica na sakou doprinosi celokupnom izgledu moćne sigurne žene. Nije ni čudo što su baš takvi sakoi i kaputi bili izuzetno popularni, i što su opet. Povrh toga njena kolekcija vintage majica na kratke rukave je poput zlatnog rudnika koji bismo prekopavali svaki dan…samo da možemo.
Interviewer (Alison Nastasi): So much of your work has an element of this real/fictional paradox, because you created music and movies with those closest to you, including your partner Serge Gainsbourg. This also became part of the controversy behind some of your works together and Serge’s with Charlotte. As an artist, how difficult is it for you to put so much of yourself in your work without becoming self-conscious or second-guessing yourself? Jane: It seemed quite normal. I would have been very insulted if Serge did “Je t’aime… moi non plus” with somebody else, because I knew what sort of inspired him. . . A doctor said the other day, “Your architecture has changed.” My architecture at that time was looking like a boy. So of course, since I knew that probably it had been floating around in his head, but suddenly it seemed possible because he was with this androgynous person. That seemed normal then. With Jacques [Doillon], I knew that I had inspired The Prodigal Daughter with [Michel] Piccoli and then The Pirate, too. It was roughly about our lives. That seemed normal. And then when he didn’t do films with me, that seemed to me to be miserable. It went on for about another ten years of making films with irresistible 18-year-olds, and that was very difficult. I was just very lucky that whilst he was doing that, I was singing with Serge, with whom we had a sort of . . . he said he always wanted to write songs for me, so he did until he died. The last album was with him. So in a way Serge let me be his female side. He became more and more outrageous, calling himself “Gainsbarre” [a wild alter ego Gainsbourg adopted and mentioned in his songs] and being outrageous, which of course he was. But he gave me the rather romantic person of Gainsbourg. [SOURCE: www.flavorwire.com Article by Alison Nastasi]
Njena uloga Elisabeth Choquet u filmu Masculin Féminin jeste u suštini bila da akcentuje ljubav i politiku, ali njene svetlo obojene naočare za sunce i sjajni stajlinzi su bukvalno ukrali show. Postoji ozbiljan razlog zašto vajb 60ih možemo opet da namirišemo u vazduhu. Sloboda, razigrano kombinovanje, ženstvenost i eksperimentisanje.